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James Siena and Katia Santibañez
James Siena and Katia Santibañez
Jawbreaker Sixplay, 2018
Reduction woodcut in 7 colors
Paper size: 23 1/2 x 19 inches
Edition of 25
Shore Publishing James Siena and Katia Santibañez Reduction woodcut in 7 colors
Katia Santibañez and James Siena
Fourhand Choker, 2018
Reduction woodcut in 7 colors
Paper size: 23 1/2 x 19 inches
Edition of 22
Shore Publishing James Siena and Katia Santibañez


James Siena (b. 1957, Oceanside, California) is a New York based artist whose complex, rule-based linear abstractions have situated him firmly within the trajectory of modern American art. His artwork is driven by self-imposed predetermined sets of rules, or “visual algorithms,” which find their end-result in intensely concentrated, vibrantly-colored, freehand geometric patterns. Siena works across a diverse range of media, including lithography, etching, woodcut, engraving, drawing, and painting. His work is held in numerous prestigious public and private collections across the U.S., including Museum of Fine Arts, Boston; San Francisco Museum of Modern Art; and The Metropolitan Museum of Art, The Museum of Modern Art, and Whitney Museum of American Art in New York. He is represented by Pace Gallery, New York.


Katia Santibañez (b. 1964, Paris, France) received her degree in 1990 at the Ecole Superieure des Beaux Arts in Paris. With a background in microbiology and biochemistry, Santibañez utilizes both qualitative and quantitative observation in the construction of works that investigate the systems, colors and forms of organic geometry. Solo exhibitions include DC Moore Gallery (New York, NY), Morgan Lehman Gallery (New York, NY), Cheymore Gallery (Tuxedo, NY), Texas Gallery (Houston, TX), Jancar Gallery (Los Angeles, CA), IMC Lab (New York, NY), and group shows at Pace Prints (New York, NY), and Jeff Bailey Gallery (New York, NY). Her paintings, drawings, and prints are in numerous public and private collections. Santibañez lives and works in New York City and in the Berkshires. She is represented by DC Moore Gallery, New York.
 
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